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CC Antya 5.39
“He personally bathes and dresses them and decorates them with ornaments. In this way, he naturally sees and touches the private parts of their bodies.
CC Antya 5.39
“He personally bathes and dresses them and decorates them with ornaments. In this way, he naturally sees and touches the private parts of their bodies.
CC Antya 5.163
Anyone who reads and hears these pastimes with faith and love can understand the truth about devotional service, devotees and the transcendental mellows of the pastimes of Lord Śrī Caitanya Mahāprabhu.
CC Antya 5.163
Anyone who reads and hears these pastimes with faith and love can understand the truth about devotional service, devotees and the transcendental mellows of the pastimes of Lord Śrī Caitanya Mahāprabhu.
CC Antya 5.13
They are very youthful, and they are expert in dancing and singing.
CC Antya 5.13
They are very youthful, and they are expert in dancing and singing.
CC Antya 5.119
There is a distinction between the body and the soul of the materially existing living being, but because Śrī Caitanya Mahāprabhu and Lord Jagannātha do not possess material bodies, there is no distinction between Their bodies and souls. On the spiritual platform, body and soul are identical; there is no distinction between them.
CC Antya 5.150
“The supreme desire to deliver the entire world meets in the two of Them, and for that reason also They are one and the same.
CC Antya 5.150
“The supreme desire to deliver the entire world meets in the two of Them, and for that reason also They are one and the same.
CC Antya 5.65
The speaker and listener spoke and heard in ecstatic love.
CC Antya 5.65
The speaker and listener spoke and heard in ecstatic love.
CC Antya 5.14
The drama being rehearsed by Rāmānanda Rāya and the two young girls was the well-known Jagannātha-vallabha-nāṭaka The songs and dances were meant for the pleasure of Lord Jagannātha; therefore Rāmānanda Rāya was personally giving instructions on how to sing and dance for the drama.
CC Antya 5.45-46
pastimes of Lord Kṛṣṇa, such as His rāsa dance with the gopīs, the disease of lusty desires in his heart and the agitation caused by the three modes of material nature are immediately nullified, and he becomes sober and silent.
CC Antya 5.45-46
pastimes of Lord Kṛṣṇa, such as His rāsa dance with the gopīs, the disease of lusty desires in his heart and the agitation caused by the three modes of material nature are immediately nullified, and he becomes sober and silent.
CC Antya 5.23
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
CC Antya 5.23
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
CC Antya 5.97
“A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and
CC Antya 5.127
‘The Supreme Personality of Godhead, the supreme controller, is always full of transcendental bliss and is accompanied by the potencies known as hlādinī and samvit. The conditioned soul, however, is always covered by ignorance and embarrassed by the threefold miseries
CC Antya 5.127
‘The Supreme Personality of Godhead, the supreme controller, is always full of transcendental bliss and is accompanied by the potencies known as hlādinī and samvit. The conditioned soul, however, is always covered by ignorance and embarrassed by the threefold miseries
CC Antya 5.3
I offer my respectful obeisances unto Advaita Prabhu, the ocean of mercy, and to all the devotees, such as Svarūpa Dāmodara Gosvāmī, Gadādhara Paṇḍita, Śrī Rūpa Gosvāmī and Śrī Sanātana Gosvāmī.
Hierarchy
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